Roundtable: Doing Queer History in the 21st Century
Report by Marcia Gallo, University of Nevada, Las Vegas
At the second CLGBTH-sponsored panel of the 2012 AHA meeting, which convened on Friday, January 6 at 9:30 a.m., approximately 35 people gathered to hear four scholars discuss their explorations in developing accessible queer history – in print, through a museum exhibit, online, and as performance. Organized by Marcia Gallo, Assistant Professor of History at the University of Nevada, Las Vegas, the roundtable’s participants included John D’Emilio, Professor of Gender and Women’s Studies at the University of Illinois at Chicago (UIC); Jennifer Brier, Associate Professor of Gender and Women’s Studies, and chair of Women’s Studies, also at UIC; Gallo; and E. Patrick Johnson, Professor in the Department of Performance Studies as well as Professor of African American Studies at Northwestern University. The audience provided insightful commentary and questions.
Legendary gay historian and activist John D’Emilio led off by discussing his experiences writing a local GLBT history column for the Chicago gay weekly Windy City Times. “What does it mean to write history in 1200-word self-contained segments?” he asked, noting that the ways in which historians are trained, and the rewards we receive from our professional colleagues, are not necessarily conducive to reaching audiences of community members. Community audiences may shift from week to week, may not have read other GLBT history, and may have been participants or observers in the events being written about, with very definite opinions about the accuracy (or lack thereof) of our (re)presentations of their lived experiences. He also announced that an exciting new project will bring him further from the printed page into cyberspace: D’Emilio recently assumed the co-director role, with founder Jonathan Ned Katz, of OutHistory.org, launched by Katz in October 2008. They intend a redesign of the site in the near future. http://outhistory.org
Jennifer Brier’s presentation focused on her involvement in working with the Chicago History Museum as guest curator for its LGBT history exhibit, Out in Chicago, featured on Thursday, the day before this session, as one of the AHA’s special tours for conference participants. Brier led the tour, which was the first queer tour conducted in conjunction with and as part of the program of an AHA meeting. For this session, she discussed some of the perils and possibilities of doing LGBTQ history in a “traditional” public history institution. Brier relayed not only the amazing process of putting such history into three-dimensional form and the possibilities for experiential learning this creates but also the substance of the compromises made in bringing the exhibit to fruition in a space that historically shied away from sexual content. Using PowerPoint images of the tour, Brier commented on the ways in which themes, rather than chronology, allowed them to tell stories about queer Chicago from the perspectives of people too often left out of such narratives, especially people of color and trans people. The exhibit Out in Chicago runs at the Chicago History Museum through March 26, 2012.
http://chicagohistory.org/planavisit/exhibitions/out-in-chicago
Tracing her interest in lesbian pulp novelist and poet Valerie Taylor to research conducted at the Gerber/Hart archives in Chicago for her first book, Different Daughters: A History of the Daughters of Bilitis and the Rise of the Lesbian Rights Movement, Marcia Gallo described Taylor as one of the few lesbians who helped launch the queer paperback publishing phenomenon of the 1950s and 1960s and was a radical homophile activist. Taylor spent many years in Chicago and, later, Tucson organizing gay and women’s liberation as well as anti-war and pro-human rights protests. To introduce her in her own words, Gallo read Taylor’s 1979 poem, “The Sweet Little Old Gray-Haired Lady in Sneakers.” Referencing “old pups learning new tricks,” Gallo then illustrated her own challenges in learning how to transform a talk on Taylor given last summer to a small, non-academic audience at the 92nd Street Y in Manhattan into an online exhibit at OutHistory.org. She showed images from the Valerie Taylor Photo Album from Cornell’s online Human Sexuality Collection. http://rmc.library.cornell.edu/eguides/manuscripts/7627+/
Chicago-based scholar and artist E. Patrick Johnson has performed nationally and internationally, and published widely in the areas of race, gender, sexuality, and performance. The final presenter, he detailed his experiences creating his one-man show, “Pouring Tea: Black Gay Men of the South Tell Their Stories,” based on excerpts from his book Sweet Tea: Black Gay Men of the South – An Oral History, for which he gathered narratives of black gay men who were born, raised, and continue to live in the South. He described his commitment to utilizing all of the tools at his disposal – verbal, visual, and political — in sharing the stories told him by his narrators, who hail from fifteen different states and range in age from 19 to 93. Johnson made his projects come alive as he showed clips of himself in conversation with one of his narrators, “Countess Vivian,” and then performed as “Freddie,” the self-described “mean little sissy.”
Perhaps the best line of the session came when Johnson related the reaction to his performance from a Southern Baptist minister: “The preacher said, ‘God was there for the first wet vagina. God was there for the first erection. And he said, ‘It is good.’” The same can be said about “Doing Queer History in the 21st Century,” which was a bright, lively, and informative two-hour conversation among queer history-makers working in increasingly varied venues.